Pattern Collection Swatch Book

                        

                     

    My pattern swatch talks about the idea of femininity in male's fashion. My basic motif is transformed from a tick mark: the left part of the tick is sharp and hard, while the right part of the tick is more curvy and has more volume; the angle of the tick is a sharp acute angle while the interior angle is a soft curve. This motif basically contains my concept of femininity in male's fashion--it has straight lines and sharp angles while also contains curves, which represents that femininity can also take place in male's fashion. I choose  black, white, sax, navy, dark blue, pink, ivory and light brown for my color swatches. Most of the colors that I chose are cool colors, so I choose pink, which is a very warm and feminine color to balance my color swatch. My plane patterns basically convey the idea of combining straight lines and curves. Since this project requires two color variations of each pattern, I made most of the patterns with one color variation with more warm colors and the other color variation with more cool colors. 

    I found it quite difficult to combine the pink color in patterns, because it would be easy to be too feminine for male. So I am trying to make a balance between the pink color and the other colors. And also, while I was researching for historical information for this project, I realized that my assumption of the development of femininity in male's fashion was totally wrong. At the very beginning of the project, I thought that in the past people should be more conserve about sexual identity and would more likely to connect femininity with female rather than men. And I assumed that relating femininity with men was the thing that occurs in modern days, which people are more open-minded about sexual identity and sexual equality. With my research for this swatch book, I found out that there are a lot of feminine factors in the mid-century european male's clothes and hair styles, and there are always some feminine factors in male’s fashion. This is really not what I've expected. Finally I get my inspiration for my garment designs from the mid-century european male's clothes which I think represents the essence of femininity in male's fashion. I feel I really learn a lot in the process of making this book.

    

Research on textile examples

  In the research I found the male's cloth that has the feminine characteristic usually include the textiles that would normally occur on women clothing like flowers, colorful stripes and complex embroidery.  For the first one, the dress on David Bowie has the large blue flower pattern that looks very soft and beautiful and has a mild contrast with the creamy background color of the fabric. This kind of combination does not usually occur on men's clothing. The second one is a jacket with a thin waist and very complex embroidery on the cuffs and the placket. This kind of complex embroidery usually occurs on the mid century clothing and it looks very sumptuous. The last one has the thin golden stripes on both the top and the shorts. The color choice of the top and the shorts has a very nice contrast although they both has golden stripes.

David Bowie, The Man Who Sold the World album cover, 1970

Thomas Patrick John Anson, Earl of Lichfield, 1968

“Boy with a Greyhound” by Paolo Veronese, c.1570s

Pattern Construction

Point Group

 

Line Group

Plane Group 

The Asymmetrical

Digital Mosaic

Color Palette

Research topic

1. Topic: I am studying femininity in men's fashion
2. Question: because I want to find out what effect it has on the fashion culture
3. Significance: in order to help my reader understand why is femininity in men's fashion important.